Jeni Caruana
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Hello 2016!

1/1/2016

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To all my friends, 'followers', and students past , present and to come, I hope that you have had a wonderful, magical Christmas and New Year celebrations. May 2016 bring a cornucopia of joy, wonder, beauty, good fortune and all other wondrous things spilling into your life!
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​I have to apologise to anyone who sent me a Christmas card this year - I didn't send any out at all.

I did this painting of camels from some sketches I made in Libya when I was there in 2010.
I was running classes in the lovely grounds of a friend's villa - and she just happened to have three camels living at the end of her garden! Happy days. I do hope that peace breaks out in Libya soon. And in the rest of the world for that matter. 


Anyway, I did the camel painting for Christmas but it didn't quite get to the printers - so I saved a few trees, at least. 
​If I start now I might have some for sale next year........

You may have noticed that I fell off the weekly blog ladder in the last few months of 2015. Sending it out so often was probably too ambitious - I'm going to try and write a monthly one this year, plus a newsletter-y thing about classes and whatever else I've been up to art wise.
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"High Tide" mixed media on board. 60 x 60 cms
I am looking forward to starting a new series of Creativity Classes to stimulate and inspire old and new students. The first one will be January 30th at 10am in my Manikata studio and after that on the last Saturday of every month. We will explore different methods and materials, techniques and tools as a path to finding unique and personal work. Everyone can gain from 'playing' like this; it's a great way to push the boundaries of your knowledge and discover new ways of working that will enhance your skills. We'll cover things like textural surfaces using tissue paper and collage, using 'found' objects, creating happy accidents and generally having a lot of fun. 

Meanwhile, my weekly classes will begin again next week.
Tuesday 12th at Le Meridien 10am - 12.30pm
Thursday 14th at Ta Mena in Gozo 10.30am - 1pm
Friday 15th at Villa Bologna in Attard 10am - 12.30pm 

Basic classes for beginners, improvers and wish-I-could-get-going-again-ers will start in February.
All classes are 20 euro, or 100 euro for 6 classes paid in advance. 
Please Click Here! to contact me for bookings or more info. (PS I don't teach children.)
 
Here's to the most creative and fulfilled year of our lives! 

​
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The Practice of Drawing

2/10/2014

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    The impulse to make marks is as natural to humans as the impulse to talk. Babies spend their first year or so making strange sounds, imitating what they hear. Through practice and interaction, copying people around them, they learn to make the sounds that others understand. Without this vital preparation they would not be able to communicate. Children are then taught to read and write, again making mistakes and slowly learning the basics. . 

Only when they are comfortable and confident with the rules of grammar, composition and writing techniques can they take the next step; that of creating an original piece of writing. To do this they need to reach out for raw material; something which inspires them to write and to want to share their thoughts.     
In much the same way, small children make marks to represent what they see around them. They start with scribbles and random dots, but as they gain control of their hands, the marks become recognisable as people, animals and other objects. They are also happy to copy things that other people draw for them, which is why Maltese children usually draw houses with pointed rooves!
     Learning to draw is similar to learning to speak in that it is a perfectly natural thing to do, but for some reason we don't think it should be a slow process of making mistakes and learning through practice. We seem to have an unrealistic expectation of being able to learn a few basic techniques and then turn out masterpieces for everyone to admire.
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  If you go to a singing teacher he will give you breathing exercises first, not a song. No one would expect you to sing those exercises before an audience. 

Do yourself a favour -  don’t expect to turn out ‘proper’ drawings when you are doing exercises. They are designed to help you learn to SEE and are steps to being able to draw well. Your progress will show in how differently you start to see things around you, not necessarily in the drawings themselves.......

          Never be afraid to make mistakes; they will teach you much more than anything else.

         “The sooner you make the first five thousand mistakes, the sooner you will be able to correct them” Kimon Nicolaides  'The Natural Way to Draw'

               It all depends on you, and how much you are prepared to invest in practice.
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Art Worlds

6/7/2014

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PictureCharlotte's Sofa
For the last 20 years I have worked as an artist in Malta. I have exhibited my work regularly, and taught drawing and watercolour in Malta for around 20 years. I tutored painting holidays with Malta Art for about 8 years. I have represented Malta in many countries abroad. But I have only really worked within the Maltese art scene.

I have often gravitated towards other ‘foreign’ artists, perhaps because of their differing methods, artistic education and approaches to their work. I have learnt a lot from working alongside them. I’ve been inspired to try new things, and I hope that I inspired them too. Creativity is reciprocal and inclusive – it cannot grow in a vacuum.

It’s only recently that I have realised how very differently the art worlds operate in Malta and abroad.

I have often gravitated towards other ‘foreign’ artists, perhaps because of their differing methods, artistic education and approaches to their work. I have learnt a lot from working alongside them. I’ve been inspired to try new things, and I hope that I inspired them too. Creativity is reciprocal and inclusive – it cannot grow in a vacuum.

It’s only recently that I have realised how very differently the art worlds operate in Malta and abroad.

PictureThe Kitchen Garden, Villa Bologna
A common Maltese attitude was epitomised to me once when someone said ‘why do you teach? You are showing people how to take your work away from you!’ That was many years ago and attitudes have changed somewhat with the advent of the internet. Malta is a very small country though, with limited resources and opportunities. The jealous defence of ‘secrets’ continues in some areas.

This does not make much sense in creative spheres. Unless you are a very talented forger, you cannot paint another person’s paintings. And why would you want to? Forging Picassos or Van Goghs may be financially rewarding until you get caught, but copying anything less famous is hardly worthwhile if you want to exhibit and sell it. It also illegal. As a learning exercise this is a time-honoured way of experiencing different techniques and working methods. As long as the results are titled ‘After*******’ it is quite acceptable. But otherwise?

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Epinac, France
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Creativity cannot be tied down or controlled. The best way to keep it alive is to share it. Like lighting candles from one another, the brilliance of inspiration comes from passing on the flames. Each one is slightly different and unique, but each one contributes to the whole. Once we have learnt the basic techniques and know how to control our medium, then our creative adventures can begin. We can borrow and share ideas, giving them our own individual stamp and pass them on. 
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Blue drawing
My recent visits to London and Texas were very interesting. Their thriving art scenes are a testament to creative expression that is encouraged and supported at every level. Healthy competition is emphasised through rigorously juried exhibitions and national competitions. Being accepted by a respected gallery or winning a prestigious award is the ultimate goal for thousands of artists. This keeps standards high and rising. Of course there is controversy and endless discussion, and art critics can be devastatingly outspoken, but constructive criticism should ideally strengthen resolve and conviction. Being judged and possibly rejected is a sensitive issue for artists, but no different from writers, actors or musicians. 

My exhibition at Palazzo de Piro in Mdina 
"Music,Dance and Landscapes" continues until the end of August, so please visit if you can. 
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Drawing on.....

2/6/2014

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I have been really busy this last week taking down one exhibition and putting up another....... before I go on holiday. 

All the details of the next exhibition are here
<<<<------  
please pop along to the opening if you can. If not, the paintings will be at the Palazzo de Piro all summer. If you are in Malta they'd love to see you :-)

Immediately after the opening, I am off to London for a few days and then I'm going on an Adventure - my first trip to the USA. I will be visiting my great friend the artist Bruce Bingham, in Austin, Texas. I am very excited and really looking forward to being somewhere so different. The art scene will be the most interesting of all. Malta is tiny, 316 km2 (122 square miles). Every other person seems to be an artist, but we all know each other. Exposure to new and inspiring art is generally limited to the internet. Much as I love to browse foreign artist's work online, there's no comparison to seeing the real thing. I know that with my own work - it's hard to see the difference between a tiny picture and a huge one when they are all as big as your screen. And the colours - however hard you try to compensate - are changed by the processes of photography and individual screens. Texture and surface are hard to see on a screen too. There's something visceral about standing in front of a piece of art that really speaks to your soul. 
I will also have my sketchbooks to hand. For me, there's nothing better than sneakily drawing people travelling on buses, trains and planes, or waiting in stations and airports. It means I'm rarely bored. 
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So, whatever happens, I will have a wealth of new experiences to literally draw on. 
I intend to keep up my blog posts while I am away, so follow along on my adventure.....
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... and when I get back there will be the Malta Jazz Festival, Malta Arts Festival and many more  paintings to paint !
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Drawing on Reality

19/5/2014

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Picture'Steps in the Bastion, Going Nowhere' watercolour, 70 x 50 cms
All artists are 'self taught' to a certain extent. No matter what training they may have had, progress is only made through constant study and practice.

There are arguments for and against a formal training in art. Some say that it can stunt the individual expression of the budding artist. Many never progress beyond the boundaries of technique and the safety of general approval. Others say that having a good grounding in basic skills can only help an artist to grow in any desired direction. 

It can be difficult to break free from the do’s and don’ts, with or without a formal education. I studied Illustration for three years at college. The standard of drawing we were expected to produce was extremely high. I had always had a gift, so I really enjoyed honing my skills. When I left college I knew that I could realistically represent any subject. I didn’t want to be an illustrator though.


Years later, when my children were at school and I had time to myself, I found it very hard to draw with my previous confidence. I also wanted to express myself more, but had no idea how to do that. I began a journey of discovery, learning to use watercolour and acrylics and then moving into three- dimensional works as well. 
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'Ta'Hagrat Temple' watercolour 70 x 50 cms
My solid foundation still serves me well. As my work has become looser and more expressive, the framework of tone, composition, design and good solid drawing supports me. 
It is a springboard into any other path I wish to follow, from anatomical studies to abstracts. I often begin a new subject by making detailed studies. 
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'Old Building, Bingemma' watercolour, 70 x 50 cms
In the prehistoric temples, for example, I often record every tiny hole, groove and mark in the stone very precisely. I may then do several black and white tonal studies, recording light and shadows. From there I will go on to watercolour, still working on site. I absorb feelings, impressions and anything else which seems relevant
Back in my studio a painting usually needs to ‘rest’. I hang it on the wall to ‘cook’. There is a way, hard to explain, of seeing a painting without looking directly at it. It’s a corner-of-the-eye thing, a creeping-up-on-it, a catching it by surprise. I look at it in the mirror, I turn it upside down. It may only need a little ‘pulling together’, working into the shadows or perhaps into the details. Sometimes a painting will need much more work than this – maybe hours of retouching or complete reworking. 
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  From this I am sometimes led to semi or purely abstract works, occasionally going into 3 dimensional works in mixed media. 
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'Roadside' Mixed media
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'Seascape' mixed media
  I know that my solid grounding in drawing gives me a basis to work from and a confidence in my approach. I have been teaching drawing skills and watercolour techniques in Malta for years now. I find that giving people enough basic knowledge and encouragement helps them to discover their own unique talent. I think those who approach art through abstraction and trying to ‘express themselves’ are impoverished as far as their potential is concerned. They often give up in frustration and follow another creative path. This is a shame, as learning to ‘see’ by learning how to draw can enrich all creativity on every level. Being able to capture reality accurately gives us a basis to extract from, and also a mine of information to expand on and explore.
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All the paintings here are currently on show in my exhibition at the 'La Vittoria' Band Club in Mellieha (opposite the main Mellieha chuch) until the 25th May. 
I really think that they are amongst the best I have ever done.
It is open - and I will be there - every evening from 5 - 9.30pm, and all day on Sunday from 10am. 

The exhibition is in support of Hospice Malta

Please come and see us (the paintings and me) if you possibly can.


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New Paintings on show NOW

10/5/2014

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PictureMother Earth - Creativity
"PAINTINGS BY JENI CARUANA" 
I have saved quite a few trees by not sending out invitations or making printed flyers or posters. I am relying on this, my Blog, emails and Facebook posts to advertise my current exhibition. I do hope this works as I really think that these are some of the best paintings I have ever produced. I am exhibiting again at the 'La Vittoria' Band Club in Mellieha. It is a great venue, run by some great people dedicated to the local community. It is easy to find, as it is in front of the main parish church in Mellieha.
No parking problems either.... 
Do drop in and see me - it is open every evening from 5 - 9.30 pm and on Sundays from 10am - 9.30pm and I will be there. 
It is only open until Sunday 18th May.
I have put a lot of work into this collection over the last year, and I really think I have taken my work a big step closer to where I would like it to go. I would love to share it with you. 
    Besides simplifying the exhibition title (I am so fed up with exhibitions with grandiose, meaningless titles) I have also named the paintings simply too.....  perhaps it's my age, or perhaps just the stage I have reached. I don't want to mess around any more. The paintings are the important things - they should speak for themselves. 

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Seascape
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Blue Wall
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Olive Trees
In his inaugural speech, Marquis Nicholas de Piro must have telepathically picked up on my thoughts, and said 
"I do not think that artisitic inspiration should be explained too much – all I am interested in is how Jeni’s work might influence me, and its power to assume any impact on my emotional stability. I do not really want to hear her version of what might have moved her. Ringing in my ears are the words of an Oxford Don and poetry critic I once knew. He said “Some of the worst poetry ever written was created with the sincerest intentions”. This is important and reflects all of art from painting to sculpture to architecture to music. Creativity to become great, does need a little bit of sophistication, and even enough hypocrisy to challenge the intellect. Jeni is not dreaming; she knows what she is doing. I think so, anyway.    Yes indeed there is some naive art which I like and esteem, but now, today, this evening we are considering Jeni Caruana and she is anxious to pass on the stimulus she continually receives, the inventive, spur and motivation she chases and admires – and then passes on to us.

   What she sees in a rough staircase attached to a rustic wall leading on to nowhere, and how she handles her paints depicting this scene made me gasp with pleasure. In another picture, her carmine nude contrasting the softness of reality with the mockery of falsehood – oh how it worked for me; but I would not want to hear why she did it."

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Tree
I postponed my last First Friday Gallery gathering as I was just so busy preparing for the exhibition.

I would like to welcome you to a Third Friday Gallery instead though - it will be held at the 'La Vittoria' Band Club amongst the exhibition. 
Wine, nibbles and good company as usual!
5 - 9.30 pm. 
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Artichoke
The exhibition is in aid of Hospice Malta, 
who deserve our support for their wonderful work.
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In collaboration with 'La Vittoria' Band Club.                  Wines provided by Monte Kristo Wine Estates
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    Jeni Caruana

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    ​I love to paint - and draw - and help others to discover their creative side too.....

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  • Portfolio
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    • Art in a strange time - 2020/1
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