This takes a bit of practice, because the only way to draw without processing is to have complete confidence in your technique and total disregard for the end result. It’s only paper, after all.
When I was at college I wanted to draw figures in contorted positions as part of a project I was doing. It was to be a mobile hanging and I needed them to have their arms and legs arranged so that I could cut out the figures and then hook them onto each other. My friends weren’t that accommodating (or flexible) ...... I came up with the idea of drawing moving figures very quickly, and then using them as the basis for my drawings. I had the brilliant idea of drawing footballers on the TV, and spent hours doing just that.
Last week I was asked if I would like to paint a lovely performance “Mu-Danzas Boleras” at the prestigious Manoel Theatre in Valletta. Would I! I was given a box next to the stage – which I covered in plastic sheeting and had some real fun drawing with watercolour and ink.
I have to admit that sometimes I have a passing fit of nerves as I stand, brush in hand, thinking “you’ve done it again, set yourself up for a really public embarrassment”.
But I take a deep breath and remind myself of the Buddhist teaching “If you never get to know the nature of fear, you will never know fearlessness”
and Albert Einstein’s “A person who never made a mistake never tried anything new”