Come join me on the enchanting Greek island of Milos this spring and paint some of the most stunning scenery in the world!
It is also the island where the famous Venus de Milo was discovered; this article will whet your appetite and your imagination!
The painting adventure on Milos will take our senses by storm on the 7th - 14th May.
The coves, caves and colours are unique - I can't wait!!
Our hosts will be the team from Salinara Sicily, well experienced in running painting holidays in Sicily and Greece. They will organise our accommodation, breakfasts and dinners. Anyone who has been to their Salinara retreats knows the love and care they lavish on their food! We will make our own choices for lunch from the wealth of cafes and restaurants on location.
They will also provide transport to and from Milos airport and to our daily outings and be on hand for any requirements we may have.
We leave - sadly, I'm sure - in the morning of the 14th and fly back to Athens.
Flights are not included in the painting holiday price (see the brochure below)
Overnight stays in Athens are also not included.
From Malta, we will fly to Athens on Aegean Airways on the 5th May, stay for two nights in local BnB's.
Here are some recommendations I have gathered....
The Art Gallery Hotel* Hotel Phidias** ApolloHotel***
For more choices, go to www.booking.com or www.tripadvisor.com and type in "Athens" - you'll find a whole range of hotels.
In Athens itself we can meet up on Sunday 6th for some sightseeing and sketching
On the morning of the 7th we fly down to Milos from Athens. There are two airlines for this, both with similar times and prices
Sky Express and Olympic Air
Returning to Athens in the morning of the 14th, we will have another day and night in Athens before flying back to Malta on the 15th.
Another option would be to extend your holiday to two weeks and fly with RyanAir, who only fly to Athens on Saturdays.
Every day of the glorious week in Milos we will explore this fabulous gem in the Aegean Sea, painting in the mornings and relaxing, sightseeing or sketching in the afternoons.
As any of my students will testify, my classes are relaxed and fun but packed with information and practical advice geared to the scene and the students' abilities. I like to 'play it by ear' rather than impose a set itinerary. I want to help everyone feel that they have learnt some practical skills and captured the scene in their own way. I also like to encourage new ways of working, using found objects and unusual ways of making marks.
On this holiday I intend to emphasise composition and interesting ways of seeing reality differently. We are artists, after all!!
All levels of expertise are very welcome
I will be sending a list of recommended materials when you book, but your personal favourites are always good to work with.
The price of the painting holiday does NOT include your flights Athens - Milos, or overnight accommodation in Athens 5th,6th and 14th May
For more details of the painting holiday please see the brochure below
Do contact me about the painting aspects.....
Bookings for the Milos holiday through Salinara Sicily
Brochure link -
In May I organised two painting trips to Trapani in Sicily for my students. We really did a lot of work between us, and had a good time exploring some interesting sites ..... as well as feasting on fresh fish and local wines!
The cave has been inhabited since Palaeolithic times and in the 1800’s was turned into a small village by the Mangiapani family. Four family units lived there for 150 years until after the Second World War, when most of the inhabitants emigrated.
The Di Rosario family continued to live there, using it as a large stable and store.
In 1982, destroyed by the animals and quite derelict,a group of young people from Custonaci decided to restore the place and hold an annual Live Crib in the cave. It took years to restore the abandoned buildings and surrounding areas. They sourced examples of traditional tools and wares, and it is now a kind of living museum, with animals in the pens and the rooms displaying various crafts such as the making of barrels, clothes, puppets, carts, and food.
The photos above were all (brilliantly) taken by Melanie Geraghty
It was all very well done and we had a great time exploring before we settled down to paint.
It’s a challenge to draw such a massive cliff and keep the sense of scale and perspective –
I’m not sure how well I managed but it was fun trying.
My visit with the second group was on a Sunday and we were overrun by about 50 motorbikers obviously on a Tour, and we were all entertained by a group of traditional singers in local costume..... they did kind of disrupt our painting, but they offered to share their wine with us, so we forgave them !!
I couldn't help thinking that Malta has so many locations that could take this idea and restore interesting but currently derelict areas.
Close to where I live, the old village of Manikata "Razzett tal-Qasam" has been very well restored and preserved by the local farmers (see Koperattiva Rurali Manikata ) but there are many once-inhabited caves in the area that could be used in a similar way to the Sicilian one - even a Living Crib! Just an idea....
Every time I set myself up to paint a live performance I am hit by last minute nerves. I cover the floor in plastic sheeting, lay out my paints and brushes, clip the battery lights to my easel, and then, as I wait for the night to begin, I want to run away. I never know if I'll be able to do anything, let alone do it well. And it's all so darned public.
After the first effort, which often misfires, I usually forget to worry and just get on with it. I have to work quickly to get the basic shapes and movement, but the time seems to pass really slowly. I find myself watching things appear on the paper or canvas. I am drawing with paint. I try to capture the essence of whatever catches my attention and work on it until something else comes up, which is when I start another. The faster I work the less I think and censor what is happening. In some ways it's much easier than working slowly with a static scene, when there's too much time to second-guess and 'fix' the picture.
I am often asked how long paintings take, as if the length of time is a reflection on its value or quality. I can only say that each one takes me all my life. I have studied nude models in life classes, sketching people and making studies for years to be able to do what I do. Not many artists would even attempt this way of working. I often ask myself why I find it so fascinating!
After the event I just want to pack up and go home and let the paintings dry. I haven't really seen the pictures as I paint them; there is no time to focus on them individually. Next morning they always surprise me. Colours are distorted by the artificial lights, and also by my limited palette.
I just sit and look at them for a while, until I see what they need. I sort them into three piles; one to throw away, one to work on a little and one that needs a lot of adjusting. Some get overworked or just messed up while I'm working on them. Some just sing right from the start.
All I know is that I like to work with figures in motion, usually dancers and jazz musicians. The paintings seem to come from a deep and connected place that I cannot access in any other way.
To see the rest of the collection 'Quintessence by Renzo Spiteri" please click HERE
Please leave your comments below - I'd really like to hear what you think of these paintings.
The only way I can paint or draw really quickly and accurately at live events is to have complete confidence in my knowledge of the human form and how it moves. My years of studying in life classes have given me a solid feeling for anatomy and a connection to the way we humans fill space. I love working with models, male and female. Human beings are all beautiful, miraculous and unique. It’s a privilege to be able to spend time studying someone’s unique body shape and simply be allowed to stare at them without embarrassment or misinterpretation.
For the last year or so I have been working on a collection of drawings and paintings called ‘Fifty Shades of Grey Nudes’. To see the works so far please visit my Fifty Shades of Grey Nudes site. Here are some of the latest works, which have not been added to the website yet. I would like to exhibit them to coincide with the premier of the film in Malta, but we’ll see what happens.
I love to paint - and draw - and help others to discover their creative side too.....
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