Jeni Caruana
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Drawing on our differences

18/4/2016

1 Comment

 
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"Rock Nude 2" available as a print
We have been using Art to communicate for 34,000 years. At least, that’s as far back as we can actually date humans drawing and painting on rocks and the walls of caves.
We don’t know what happened before then of course; less permanent methods of mark making are lost to us forever. We also have no idea what those beautiful cave paintings signify – were they magical means of capturing reality, plans for the hunt, shamanic rites of passage or simply means of expressing life as they saw it?
I like the theory that, as the cave paintings are carefully placed to become part of the uneven surfaces they adorn, they represent the shaman’s ability to travel between the worlds. That what we see is superficial to the hidden world where everything is one profound and plentiful soup of living energy.
​The shaman contacts the spirit of animal or plant to commune with all of life.
Besides imagery we self-express through music, dance and the written word. The wonder of a sunset, the sorrow of loss, the joy and hope of a new birth, life often touches us deeply and we are moved to find ways to share it with others. We smile, hug, cry, give gifts. We celebrate and commiserate. It’s what makes us human.
Art can tap into this deep emotional urge to communicate abstract emotions that are beyond words. This can vary from the literal translation of a scene to the darkest of obscure abstractions. Ultimately we are speaking to ourselves, making our feelings visible. How well we manage to do that depends on our level of expertise, and can be very frustrating if your drawing is like a seven year old’s, or your painting of a sunset turns to shades of brown.

It would be lovely (if a little boring after a while) to produce professional standard artworks every time, but ask yourself WHY you are painting/drawing?
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Is it to please someone else or yourself?
Assuming that you’re not aiming to sell or exhibit these ‘feeling’ paintings, does it really matter if they’re not perfect?

Personally, I think It’s worth practicing your skills and honing your techniques so that your paintings satisfy you more and more on an aesthetic level. They will also gain praise from others as a consequence, but always try to hold onto your personal motivation. Why did you choose this view and not another? What did this particular colour combination stir in you? Why did you use this technique or method? Keep it real and individual, keep connected to your art and it will communicate on many more levels than its outward appearance.
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"Axis Mundi" mixed media on canvas
​There are plenty of painters out there who can reproduce reality and churn out commercially popular works, but many of them communicate absolutely nothing other than ‘here’s another one, buy me!’

We are all individuals; we all have different approaches to life.

Let’s enjoy being ourselves! 
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"Mnajdra Temple" watercolour and crayon
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"Pray Tell" watercolour and pastel
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Drawing on your own

14/1/2015

8 Comments

 
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There’s only one you, only one me. You can’t really copy me, and I can’t copy you either, but together we can move forward by inspiring and supporting each other. We can’t really be in competition with each other if we are both following our hearts. That goes against most business models of course, but creativity can’t be contained or restricted, otherwise it withers and dies. 



Copied ideas don’t have the original inspiration or fire behind them, and although art forgers can make big bucks, most people make art because it gives them pleasure and a sense of personal achievement. Essentially we are all unique even if we ‘borrow’ every now and then. When you translate someone else’s idea through your own talents and processes, it becomes your own. That’s different to copying. 

You could never draw naturally in the same way that I do, simply because you haven’t spent the same amount of hours studying the same things that I have, how could you? You aren’t attracted to the same subjects I am, or play with the variety of unpredictable materials that I do, just for the fun of it. We are different, and so our art will differ in the same way that our fingerprints and our signatures do. 
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Epinac, 2013
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For this reason I am happy to share everything I have ever learnt or discovered. All the years that I have spent teaching and encouraging others to discover the joys of drawing have probably helped me as much as my students. Trying to describe the process of drawing in words has clarified and distilled it for me. It has also shown me the simplest ways to teach drawing to anyone who wants to learn. 
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Seascape
8 Comments

Drawing with Help

5/1/2015

5 Comments

 
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For many years, it was traditional to study under ‘master’ artists to improve technique and learn basic knowledge. An apprentice would study for years, helping to mix paint and prepare canvasses before being allowed to paint in the style of his Master. There was no such thing as individual expression or interpretation until he (and it usually was a 'he') was able to start up a studio of his own. Even then, art was commissioned by the Church and the upper classes, and the subject matter and style were dictated.

It's very different today - everyone can paint and draw whatever they like and everything they make can be called 'art'. Those who wish to study techniques (not everyone does) can easily find everything they need on the internet, usually for free.
 
Welcome to more drawing blogs for 2015! I thought I had exhausted the subject and was going to turn to my thoughts on creativity in general, but I really do think that being able to draw can be a powerful springboard into all forms of self-expression. There is something very connecting and connected about being able to study something that is outside you and then recreate it in a different form. We are creations ourselves and creativity amd innovation is what makes us so successful (and sometimes dangerous) as humans. 


Channelling Nature's insatiable urge to grow and flourish into creative pursuits instead of trying to ignore it, or -even worse - using it to invent new ways to hurt ourselves or each other, can only be a good thing.
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Perhaps it’s too easy. There are endless books, YouTube films, DVD’s and online courses about art; some are really helpful, others not at all. The temptation is to read or watch the demonstrations and step-by-steps and not actually DO them. There’s no-one there to guide us by saying ‘just look again at that shape, that curve, that form’. 

We try to be our own tutor and our own student too, and it can be hard inspiring ourselves and keeping ourselves going. It's difficult to even notice your own mistakes and shortcomings, let alone what to DO about them! Bit like life, really......

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 I will be forever grateful for my own college tutors and for every artist I have had the pleasure of working with. I think it’s always a good idea to join a group and/or take classes or workshops to keep you inspired and moving forward. There's nothing wrong at all with being 'self taught', but we all learn and grow by looking at other artist's work that we admire, and learning from their experience and knowledge. 
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Creativity and inspiration are like lighting candles – once you have lit your own you can spread the light far and wide by lighting others. If you keep it to yourself you’ll have no-one to relight your flame if you lose your way!

Here's to a CREATIVE 2015!
5 Comments

Drawing Fifty Shades of Grey Nudes

11/11/2014

0 Comments

 
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 I wonder what they’re thinking? What are their stories? So many questions run through my head while I am drawing people, and I think that the pictures capture my thoughts as I work. My impressions are part of the end product. 
Underpinning all the ‘action’ paintings and sketches that I love to do so much is a life-long fascination with people. I always have a sketch book with me, but even when I am not drawing I am watching. There’s something about the way people behave and interact, the way they move or stand. They way they walk that tells you so much about their character. The way they influence the space around them, and the way they fit into the world. 
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The only way I can paint or draw really quickly and accurately at live events is to have complete confidence in my knowledge of the human form and how it moves. My years of studying in life classes have given me a solid feeling for anatomy and a connection to the way we humans fill space. I love working with models, male and female. Human beings are all beautiful, miraculous and unique. It’s a privilege to be able to spend time studying someone’s unique body shape and simply be allowed to stare at them without embarrassment or misinterpretation.
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For the last year or so I have been working on a collection of drawings and paintings called ‘Fifty Shades of Grey Nudes’. To see the works so far please visit my Fifty Shades of Grey Nudes site.           Here are some of the latest works, which have not been added to the website yet. I would like to exhibit them to coincide with the premier of the film in Malta, but we’ll see what happens.  
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The Practice of Drawing

2/10/2014

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    The impulse to make marks is as natural to humans as the impulse to talk. Babies spend their first year or so making strange sounds, imitating what they hear. Through practice and interaction, copying people around them, they learn to make the sounds that others understand. Without this vital preparation they would not be able to communicate. Children are then taught to read and write, again making mistakes and slowly learning the basics. . 

Only when they are comfortable and confident with the rules of grammar, composition and writing techniques can they take the next step; that of creating an original piece of writing. To do this they need to reach out for raw material; something which inspires them to write and to want to share their thoughts.     
In much the same way, small children make marks to represent what they see around them. They start with scribbles and random dots, but as they gain control of their hands, the marks become recognisable as people, animals and other objects. They are also happy to copy things that other people draw for them, which is why Maltese children usually draw houses with pointed rooves!
     Learning to draw is similar to learning to speak in that it is a perfectly natural thing to do, but for some reason we don't think it should be a slow process of making mistakes and learning through practice. We seem to have an unrealistic expectation of being able to learn a few basic techniques and then turn out masterpieces for everyone to admire.
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  If you go to a singing teacher he will give you breathing exercises first, not a song. No one would expect you to sing those exercises before an audience. 

Do yourself a favour -  don’t expect to turn out ‘proper’ drawings when you are doing exercises. They are designed to help you learn to SEE and are steps to being able to draw well. Your progress will show in how differently you start to see things around you, not necessarily in the drawings themselves.......

          Never be afraid to make mistakes; they will teach you much more than anything else.

         “The sooner you make the first five thousand mistakes, the sooner you will be able to correct them” Kimon Nicolaides  'The Natural Way to Draw'

               It all depends on you, and how much you are prepared to invest in practice.
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Drawing, Painting, Getting together....

23/9/2014

2 Comments

 
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Come and join our friendly group on Friday mornings, drawing, sketching and painting in the fabulous grounds of 
Villa Bologna in Attard. 
I set up the theme for the morning and then help everyone work in their own way. Just bring yourself and your materials and get away from it all for a morning!
Classes run from 10am til 12.30pm. I supply chairs, boards, water pots, tea, coffee and biscuits. 
The Veg Box selling genuine organic produce will be open too, plus a new chic little cafe in the grounds.
23 euro for a one-off session, 20 euros if you book for more than one. 
Please contact me to book
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Saturday Morning Art Club starts this weekend too - on the 
27th September at 10 am til 12.30 pm. We will continue to concentrate on good drawing skills, but also work with colour this autumn. I like to mix media and explore new ways of making pictures, so expect some fun!
Classes are held in my studio in ManikataSingle classes are 20 euro or 5 classes (to be taken before December 13th) 85 euro
Again, please contact me to book

I also have a lot of exciting projects in the pipeline - one will be in Sliema and open to children 14 -16, helping them to draw figures in motion. The last class will be at the rehearsals of a Flamenco performance and their pictures will be exhibited in the foyer of the theatre afterwards. More details soon!

I would like to run this course for adults later but I need to find a suitable venue first.
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I am planning art classes at a venue in Sliema too, which many people have asked me about. It seems that Manikata is 'too far' for some :-)   So I will come to you......
Again, more details coming soon, but please let me know if you are interested, and whether evening or daytime classes are what you are looking for. I will start by running my popular course of basic drawing and watercolour techniques, which helps everyone to start seeing differently and to begin or continue their Art adventure with added confidence and joy. I will add other courses later.

I find that it is always beneficial to work in a group as well as practice on your own. It's always good to see how other people tackle the same or similar subjects. Creativity grows and expands by sharing ideas and inspiration. Always working alone can be stifling and our work may become dull and repetetive.The more candles we light from our own flame the brighter the whole world becomes!

I am really looking forward to cooler weather and to meeting you at my autumn classes.
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    Jeni Caruana

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    ​I love to paint - and draw - and help others to discover their creative side too.....

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  • Portfolio
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    • Art in a strange time - 2020/1
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