Category: Students

Painting La Grotta Mangiapani in Trapani, Sicily

20/6/2017

In May I organised two painting trips to Trapani in Sicily for my students. We really did a lot of work between us, and had a good time exploring some interesting sites ..... as well as feasting on fresh fish and local wines!

One intriguing place we visited was ‘La Grotta Mangiapani’ described as ‘a village where time stands still’.

This huge cave is in Scurati, part of the Mount Cofano Reserve in Custonati, about 30 minutes from Trapani by car.

The cave has been inhabited since Palaeolithic times and in the 1800’s was turned into a small village by the Mangiapani family. Four family units lived there for 150 years until after the Second World War, when most of the inhabitants emigrated.

The Di Rosario family continued to live there, using it as a large stable and store.

In 1982, destroyed by the animals and quite derelict,a group of young people from Custonaci decided to restore the place and hold an annual Live Crib in the cave. It took years to restore the abandoned buildings and surrounding areas. They sourced examples of traditional tools and wares, and it is now a kind of living museum, with animals in the pens and the rooms displaying various crafts such as the making of barrels, clothes, puppets, carts, and food.

The photos above were all (brilliantly) taken by Melanie Geraghty

It was all very well done and we had a great time exploring before we settled down to paint.
It’s a challenge to draw such a massive cliff and keep the sense of scale and perspective –
I’m not sure how well I managed but it was fun trying.

My visit with the second group was on a Sunday and we were overrun by about 50 motorbikers obviously on a Tour, and we were all entertained by a group of traditional singers in local costume..... they did kind of disrupt our painting, but they offered to share their wine with us, so we forgave them !!

I couldn't resist these two horses swishing off the flies from each others' faces

I couldn't help thinking that Malta has so many locations that could take this idea and restore interesting but currently derelict areas.

Close to where I live, the old village of Manikata "Razzett tal-Qasam" has been very well restored and preserved by the local farmers (see Koperattiva Rurali Manikata ) but there are many once-inhabited caves in the area that could be used in a similar way to the Sicilian one - even a Living Crib! Just an idea....

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The Golden Hour

7/12/2016

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Photos rather than paintings in this blog; the evening light reminded me of something I thought you might be interested in. The Golden Hour.

Many years ago I was the tutor for Malta Art painting holidays, run by Mr Ronnie Channer (the most patient man in the world!). Having an Army background he was actually able to organise my scatterbrained approach to life, and we ran many successful holidays bringing artists of all abilities to paint in Malta. We had a 50% return rate, not a mean feat with all the competition around.

The only reason Malta Art ran out of steam was that, in those pre internet days it was so difficult to advertise widely without spending a fortune.

To launch the venture, Ronnie had the brilliant idea of walking into the offices of the London advertising company in charge of the Malta campaign. They just happened to be looking for a new angle to sell Malta, and we fitted the bill perfectly. Which is how – before we had even advertised or gathered any students – we were asked to appear on the BBC’s Holiday Programme. This was a peak viewing slot, and our interviewer (and participant) was to be the very well known Anika Rice.
I had been teaching classes to adults for years beforehand, co-tutoring a painting holiday for the Malta University, which is how I met Ronnie in the first place. I hadn’t taught one on my own though, and have to admit I was pretty nervous!

Ronnie somehow managed to round up a contingent of locals to be our guinea pigs and BBC stars, and the week began. I have to say it wasn’t easy; being asked to repeat myself with my palette held higher, or find a good view in the director’s choice of venue really was a challenge at times. Anika had just finished a 3 year degree course in Fine Arts using oils, and found watercolours a difficult transition.

The programme was a huge success for us, and launched Malta Art with hundreds of bookings.

For me it was a baptism of fire, and I have never really been nervous in front of cameras, groups of students or in interviews since. If I survived that, nothing else could be as nerve wracking!

It was a very interesting experience though. There was only one cameraman and to film us riding into Mdina on a horse-drawn Karozzin we had to circle the town and go through the iconic stone gate at least four times. Once to film us from the back as we entered the gate, once close up as we went into it, once as we emerged on the other side, and again as we continued over the cobblestones into the town. Ouch. I remember that when watching TV reality films – nothing is as simple as the editing would have us believe!

I am also reminded of the BBC Experience when the sun is setting and the Maltese limestone comes to life in shades of stunning oranges with violet shadows. The cameraman called it the Golden Hour and he wasn’t wrong. I thought of it yet again the other evening when I was leaving the venue where my current exhibition ‘Arbor Vitae’ is being held. It’s in the old British barracks above Golden Bay (see my two previous blogs for more info on the exhibition and the area) and I couldn’t resist taking a few shots of the amazing light effects.

The exhibition is open every day until the 16th December from 10am to 3pm. More details HERE

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Fabriano, Sicily and where next?

1/5/2016

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I don’t quite remember which star I wished on, but all of a sudden I seem to be travelling all over the place, mainly to Italy and mainly art-related.
Much as I love Malta, it’s lovely to feast my eyes on rolling green vistas and new sights and sounds.

At the beginning of April I was in Sicily with fellow artist Caroline Said Lawrence on a scouting trip for the art holiday we will be leading 27th - 29th May. We were whizzed about timing distances and looking at the locations (checking out the local cafes, ice creams, restaurants etc) (plus extensive wine sampling) honestly, it was hard work! We simplified the programme and are very excited about it all! It’s not too late to book – more details here.

See Caroline's report on our test run here :-)

Last weekend though, I was further north, in Italy itself. Led by our intrepid Leader Andrew Smith, seven of us represented Malta at the Fabriano Watercolour Convention. Fabriano is the home of the famous watercolour paper loved the world over. The mills have now moved out of the town, but we toured the old paper mill and museum. Some of us even had a go at making hand-made paper!

All the artist's names displayed together.....

looking for ours......

The picturesque Medieval town welcomed artists from all over the world; 50 countries, 38 artistic communities and 730 artists to be exact. There were people painting everywhere we looked, and every public space had been filled with our works. We all contributed one painting and it was fascinating to see the collections from countries as diverse as Iraq , USA, Japan, India and more.

.. and I am above Alvaro Castagnet (Watercolour God) ha ha

We stayed in a nearby hilltop village called Collamato which means 'love of the hills'.

Collamato

The Andrews Smith and Borg, Anna Galea, Sarah Calleja, Diane Agius, Joe Casapinta and I did our best to show Malta at its best. Anna gave a demo in front of hundreds of people (I wasn’t brave enough!) we danced to a brilliant ethnic band at the final party, painted in the streets with the rest of them, ate as much pasta and drank as much wine as we could. Malta should be proud of us. This was all self financed, I have to say. We deserve to be supported next time.

On the way back to the airport we stopped off at Gubbio and Assisi – both beautiful and full of delights.
The seven of us are plotting more adventures together including an exhibition of the works we created, so watch this space!

I wonder where I will be going next?

Meanwhile, my Tuesday morning classes are moving from Le Meridien in Balluta Bay to Palazzo de Piro in Mdina from the 3rd May. I am looking forward to helping students tackle those great open views from the upper terraces!
My classes still continue at Villa Bologna on Friday mornings. This Wednesday 4th May we will be opening our first Spring Exhibition of works there. My students and I are hanging two works each. It will be open to the public from 5th May to 2nd June, so do drop in if you are in the area.

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Hello 2016!

1/1/2016

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To all my friends, 'followers', and students past , present and to come, I hope that you have had a wonderful, magical Christmas and New Year celebrations. May 2016 bring a cornucopia of joy, wonder, beauty, good fortune and all other wondrous things spilling into your life!

I have to apologise to anyone who sent me a Christmas card this year - I didn't send any out at all.

I did this painting of camels from some sketches I made in Libya when I was there in 2010.
I was running classes in the lovely grounds of a friend's villa - and she just happened to have three camels living at the end of her garden! Happy days. I do hope that peace breaks out in Libya soon. And in the rest of the world for that matter.

Anyway, I did the camel painting for Christmas but it didn't quite get to the printers - so I saved a few trees, at least.
If I start now I might have some for sale next year........

You may have noticed that I fell off the weekly blog ladder in the last few months of 2015. Sending it out so often was probably too ambitious - I'm going to try and write a monthly one this year, plus a newsletter-y thing about classes and whatever else I've been up to art wise.

"High Tide" mixed media on board. 60 x 60 cms

I am looking forward to starting a new series of Creativity Classes to stimulate and inspire old and new students. The first one will be January 30th at 10am in my Manikata studio and after that on the last Saturday of every month. We will explore different methods and materials, techniques and tools as a path to finding unique and personal work. Everyone can gain from 'playing' like this; it's a great way to push the boundaries of your knowledge and discover new ways of working that will enhance your skills. We'll cover things like textural surfaces using tissue paper and collage, using 'found' objects, creating happy accidents and generally having a lot of fun.

Meanwhile, my weekly classes will begin again next week.
Tuesday 12th at Le Meridien 10am - 12.30pm
Thursday 14th at Ta Mena in Gozo 10.30am - 1pm
Friday 15th at Villa Bologna in Attard 10am - 12.30pm

Basic classes for beginners, improvers and wish-I-could-get-going-again-ers will start in February.
All classes are 20 euro, or 100 euro for 6 classes paid in advance.
Please Click Here! to contact me for bookings or more info. (PS I don't teach children.)

Here's to the most creative and fulfilled year of our lives!

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Drawing on your own

14/1/2015

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There’s only one you, only one me. You can’t really copy me, and I can’t copy you either, but together we can move forward by inspiring and supporting each other. We can’t really be in competition with each other if we are both following our hearts. That goes against most business models of course, but creativity can’t be contained or restricted, otherwise it withers and dies.

Copied ideas don’t have the original inspiration or fire behind them, and although art forgers can make big bucks, most people make art because it gives them pleasure and a sense of personal achievement. Essentially we are all unique even if we ‘borrow’ every now and then. When you translate someone else’s idea through your own talents and processes, it becomes your own. That’s different to copying.

You could never draw naturally in the same way that I do, simply because you haven’t spent the same amount of hours studying the same things that I have, how could you? You aren’t attracted to the same subjects I am, or play with the variety of unpredictable materials that I do, just for the fun of it. We are different, and so our art will differ in the same way that our fingerprints and our signatures do.

Epinac, 2013

For this reason I am happy to share everything I have ever learnt or discovered. All the years that I have spent teaching and encouraging others to discover the joys of drawing have probably helped me as much as my students. Trying to describe the process of drawing in words has clarified and distilled it for me. It has also shown me the simplest ways to teach drawing to anyone who wants to learn.

Seascape

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Drawing with Help

5/1/2015

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For many years, it was traditional to study under ‘master’ artists to improve technique and learn basic knowledge. An apprentice would study for years, helping to mix paint and prepare canvasses before being allowed to paint in the style of his Master. There was no such thing as individual expression or interpretation until he (and it usually was a 'he') was able to start up a studio of his own. Even then, art was commissioned by the Church and the upper classes, and the subject matter and style were dictated.

It's very different today - everyone can paint and draw whatever they like and everything they make can be called 'art'. Those who wish to study techniques (not everyone does) can easily find everything they need on the internet, usually for free.

Welcome to more drawing blogs for 2015! I thought I had exhausted the subject and was going to turn to my thoughts on creativity in general, but I really do think that being able to draw can be a powerful springboard into all forms of self-expression. There is something very connecting and connected about being able to study something that is outside you and then recreate it in a different form. We are creations ourselves and creativity amd innovation is what makes us so successful (and sometimes dangerous) as humans.

Channelling Nature's insatiable urge to grow and flourish into creative pursuits instead of trying to ignore it, or -even worse - using it to invent new ways to hurt ourselves or each other, can only be a good thing.

Perhaps it’s too easy. There are endless books, YouTube films, DVD’s and online courses about art; some are really helpful, others not at all. The temptation is to read or watch the demonstrations and step-by-steps and not actually DO them. There’s no-one there to guide us by saying ‘just look again at that shape, that curve, that form’.

We try to be our own tutor and our own student too, and it can be hard inspiring ourselves and keeping ourselves going. It's difficult to even notice your own mistakes and shortcomings, let alone what to DO about them! Bit like life, really......

I will be forever grateful for my own college tutors and for every artist I have had the pleasure of working with. I think it’s always a good idea to join a group and/or take classes or workshops to keep you inspired and moving forward. There's nothing wrong at all with being 'self taught', but we all learn and grow by looking at other artist's work that we admire, and learning from their experience and knowledge.

Creativity and inspiration are like lighting candles – once you have lit your own you can spread the light far and wide by lighting others. If you keep it to yourself you’ll have no-one to relight your flame if you lose your way!

Here's to a CREATIVE 2015!

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Painting La Grotta Mangiapani in Trapani, Sicily

The Golden Hour

Fabriano, Sicily and where next?

Hello 2016!

Drawing on your own

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