Come join me on the enchanting Greek island of Milos this spring and paint some of the most stunning scenery in the world!
It is also the island where the famous Venus de Milo was discovered; this article will whet your appetite and your imagination!
The painting adventure on Milos will take our senses by storm on the 7th - 14th May.
The coves, caves and colours are unique - I can't wait!!
Our hosts will be the team from Salinara Sicily, well experienced in running painting holidays in Sicily and Greece. They will organise our accommodation, breakfasts and dinners. Anyone who has been to their Salinara retreats knows the love and care they lavish on their food! We will make our own choices for lunch from the wealth of cafes and restaurants on location.
They will also provide transport to and from Milos airport and to our daily outings and be on hand for any requirements we may have.
We leave - sadly, I'm sure - in the morning of the 14th and fly back to Athens.
Flights are not included in the painting holiday price (see the brochure below)
Overnight stays in Athens are also not included.
From Malta, we will fly to Athens on Aegean Airways on the 5th May, stay for two nights in local BnB's.
Here are some recommendations I have gathered....
The Art Gallery Hotel* Hotel Phidias** ApolloHotel***
For more choices, go to www.booking.com or www.tripadvisor.com and type in "Athens" - you'll find a whole range of hotels.
In Athens itself we can meet up on Sunday 6th for some sightseeing and sketching
On the morning of the 7th we fly down to Milos from Athens. There are two airlines for this, both with similar times and prices
Sky Express and Olympic Air
Returning to Athens in the morning of the 14th, we will have another day and night in Athens before flying back to Malta on the 15th.
Another option would be to extend your holiday to two weeks and fly with RyanAir, who only fly to Athens on Saturdays.
Every day of the glorious week in Milos we will explore this fabulous gem in the Aegean Sea, painting in the mornings and relaxing, sightseeing or sketching in the afternoons.
As any of my students will testify, my classes are relaxed and fun but packed with information and practical advice geared to the scene and the students' abilities. I like to 'play it by ear' rather than impose a set itinerary. I want to help everyone feel that they have learnt some practical skills and captured the scene in their own way. I also like to encourage new ways of working, using found objects and unusual ways of making marks.
On this holiday I intend to emphasise composition and interesting ways of seeing reality differently. We are artists, after all!!
All levels of expertise are very welcome
I will be sending a list of recommended materials when you book, but your personal favourites are always good to work with.
The price of the painting holiday does NOT include your flights Athens - Milos, or overnight accommodation in Athens 5th,6th and 14th May
For more details of the painting holiday please see the brochure below
Do contact me about the painting aspects.....
Bookings for the Milos holiday through Salinara Sicily
Brochure link -
Last weekend though, I was further north, in Italy itself. Led by our intrepid Leader Andrew Smith, seven of us represented Malta at the Fabriano Watercolour Convention. Fabriano is the home of the famous watercolour paper loved the world over. The mills have now moved out of the town, but we toured the old paper mill and museum. Some of us even had a go at making hand-made paper!
We stayed in a nearby hilltop village called Collamato which means 'love of the hills'.
The Andrews Smith and Borg, Anna Galea, Sarah Calleja, Diane Agius, Joe Casapinta and I did our best to show Malta at its best. Anna gave a demo in front of hundreds of people (I wasn’t brave enough!) we danced to a brilliant ethnic band at the final party, painted in the streets with the rest of them, ate as much pasta and drank as much wine as we could. Malta should be proud of us. This was all self financed, I have to say. We deserve to be supported next time.
On the way back to the airport we stopped off at Gubbio and Assisi – both beautiful and full of delights.
The seven of us are plotting more adventures together including an exhibition of the works we created, so watch this space!
I wonder where I will be going next?
Meanwhile, my Tuesday morning classes are moving from Le Meridien in Balluta Bay to Palazzo de Piro in Mdina from the 3rd May. I am looking forward to helping students tackle those great open views from the upper terraces!
My classes still continue at Villa Bologna on Friday mornings. This Wednesday 4th May we will be opening our first Spring Exhibition of works there. My students and I are hanging two works each. It will be open to the public from 5th May to 2nd June, so do drop in if you are in the area.
Besides imagery we self-express through music, dance and the written word. The wonder of a sunset, the sorrow of loss, the joy and hope of a new birth, life often touches us deeply and we are moved to find ways to share it with others. We smile, hug, cry, give gifts. We celebrate and commiserate. It’s what makes us human.
There are plenty of painters out there who can reproduce reality and churn out commercially popular works, but many of them communicate absolutely nothing other than ‘here’s another one, buy me!’
We are all individuals; we all have different approaches to life.
Let’s enjoy being ourselves!
Every time I set myself up to paint a live performance I am hit by last minute nerves. I cover the floor in plastic sheeting, lay out my paints and brushes, clip the battery lights to my easel, and then, as I wait for the night to begin, I want to run away. I never know if I'll be able to do anything, let alone do it well. And it's all so darned public.
After the first effort, which often misfires, I usually forget to worry and just get on with it. I have to work quickly to get the basic shapes and movement, but the time seems to pass really slowly. I find myself watching things appear on the paper or canvas. I am drawing with paint. I try to capture the essence of whatever catches my attention and work on it until something else comes up, which is when I start another. The faster I work the less I think and censor what is happening. In some ways it's much easier than working slowly with a static scene, when there's too much time to second-guess and 'fix' the picture.
I am often asked how long paintings take, as if the length of time is a reflection on its value or quality. I can only say that each one takes me all my life. I have studied nude models in life classes, sketching people and making studies for years to be able to do what I do. Not many artists would even attempt this way of working. I often ask myself why I find it so fascinating!
After the event I just want to pack up and go home and let the paintings dry. I haven't really seen the pictures as I paint them; there is no time to focus on them individually. Next morning they always surprise me. Colours are distorted by the artificial lights, and also by my limited palette.
I just sit and look at them for a while, until I see what they need. I sort them into three piles; one to throw away, one to work on a little and one that needs a lot of adjusting. Some get overworked or just messed up while I'm working on them. Some just sing right from the start.
All I know is that I like to work with figures in motion, usually dancers and jazz musicians. The paintings seem to come from a deep and connected place that I cannot access in any other way.
To see the rest of the collection 'Quintessence by Renzo Spiteri" please click HERE
Please leave your comments below - I'd really like to hear what you think of these paintings.
To all my friends, 'followers', and students past , present and to come, I hope that you have had a wonderful, magical Christmas and New Year celebrations. May 2016 bring a cornucopia of joy, wonder, beauty, good fortune and all other wondrous things spilling into your life!
You may have noticed that I fell off the weekly blog ladder in the last few months of 2015. Sending it out so often was probably too ambitious - I'm going to try and write a monthly one this year, plus a newsletter-y thing about classes and whatever else I've been up to art wise.
I am looking forward to starting a new series of Creativity Classes to stimulate and inspire old and new students. The first one will be January 30th at 10am in my Manikata studio and after that on the last Saturday of every month. We will explore different methods and materials, techniques and tools as a path to finding unique and personal work. Everyone can gain from 'playing' like this; it's a great way to push the boundaries of your knowledge and discover new ways of working that will enhance your skills. We'll cover things like textural surfaces using tissue paper and collage, using 'found' objects, creating happy accidents and generally having a lot of fun.
Meanwhile, my weekly classes will begin again next week.
Tuesday 12th at Le Meridien 10am - 12.30pm
Thursday 14th at Ta Mena in Gozo 10.30am - 1pm
Friday 15th at Villa Bologna in Attard 10am - 12.30pm
Basic classes for beginners, improvers and wish-I-could-get-going-again-ers will start in February.
All classes are 20 euro, or 100 euro for 6 classes paid in advance.
Please Click Here! to contact me for bookings or more info. (PS I don't teach children.)
Here's to the most creative and fulfilled year of our lives!
I love to paint - and draw - and help others to discover their creative side too.....
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