Jeni Caruana
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Let's Go Greek!

16/2/2019

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The painting adventure on Milos will take our senses by storm on the 7th - 14th May 2019
The coves, caves and colours are unique - I can't wait!!
Milos is the island where the famous Venus de Milo was discovered; this article will whet your appetite and your imagination!
https://www.cntraveller.com/gallery/milos-greece

Our hosts will be the team from Salinara Sicily, well experienced in running painting holidays in Sicily and Greece. They will organise our accommodation, breakfasts and dinners. Anyone who has been to their Salinara retreats knows the love and care they lavish on their food! We will make our own choices for lunch from the wealth of cafes and restaurants on location.
They will also provide transport to and from Milos airport and to our daily outings and be on hand for any requirements we may have. 
We leave - sadly, I'm sure - in the morning of the 14th and fly back to Athens. 

Flights are not included in the painting holiday price (see the brochure below)
Overnight stays in Athens are also not included.

From Malta, we will fly to Athens on Aegean Airways on the 5th May, stay for two nights in local BnB's.
Here are some recommendations I have gathered....
 The Art Gallery Hotel*   Hotel Phidias**  ApolloHotel***
For more choices, go to www.booking.com or www.tripadvisor.com and type in "Athens" - you'll find a whole range of hotels. 

In Athens itself we can meet up on Sunday 6th for some sightseeing and sketching 
On the morning of the 7th we fly down to Milos from Athens. There are two airlines for this, both with similar times and prices

Sky Express and Olympic Air

Returning to Athens in the morning of the 14th, we will have another day and night in Athens before flying back to Malta on the 15th.

​Another option would be to extend your holiday to two weeks and fly with RyanAir, who only fly to Athens on Saturdays. 
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Every day of the glorious week in Milos we will explore this fabulous gem in the Aegean Sea, painting in the mornings and relaxing, sightseeing or sketching in the afternoons.


As any of my students will testify, my classes are relaxed and fun but packed with information and practical advice geared to the scene and the students' abilities. I like to 'play it by ear' rather than impose a set itinerary. I want to help everyone feel that they have learnt some practical skills and captured the scene in their own way. I also like to encourage new ways of working, using found objects and unusual ways of making marks. 
On this holiday I intend to emphasise composition and interesting ways of seeing reality differently. We are artists, after all!!
All levels of expertise are very welcome 
I will be sending a list of recommended materials when you book, but your personal favourites are always good to work with. 


The price of the painting holiday does NOT include your flights Athens - Milos, or overnight accommodation in Athens 5th,6th and 14th May
For more details of the painting holiday please see the brochure below
Do contact me about the painting aspects..... 
Bookings for the Milos holiday through Salinara Sicily 

Brochure link -

jeni-greece_flyer.pdf
File Size: 269 kb
File Type: pdf
Download File

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Ultima Vez - In Spite of Wishing and Wanting

4/8/2017

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On the 14th July 2017 the Malta Arts Festival hosted an amazing performance at Fort St.Elmo. Ultima Vez gave us 'In Spite of Wishing and Wanting', a world acclaimed piece by chroeographer Wim Vandekeybus. Powerful in its sheer energy and drama, the all-male troupe explored "fear, the desire for security and the dreadful magic of sleep". The music of David Byrne underpinned it all, and two short films added to the surreal atmosphere. 
It's impossible to describe in words though - so here is a short YouTube clip to give you an idea...

I had asked to paint the performance because it sounded so unusual and dramatic, with some nudity and what seemed to be men flying in showers of feathers. I wasn't disappointed; the sheer physical energy and total focus took their bodies beyond human limits. I caught as much as I could - I was spellbound!  
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Fabriano, Sicily and where next?

1/5/2016

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I don’t quite remember which star I wished on, but all of a sudden I seem to be travelling all over the place, mainly to Italy and mainly art-related.
Much as I love Malta, it’s lovely to feast my eyes on rolling green vistas and new sights and sounds.

​At the beginning of April I was in Sicily with fellow artist Caroline Said Lawrence on a scouting trip for the art holiday we will be leading 27th - 29th May. We were whizzed about timing distances and looking at the locations (checking out the local cafes, ice creams, restaurants etc) (plus extensive wine sampling) honestly, it was hard work! We simplified the programme and are very excited about it all! It’s not too late to book – more details here.
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See Caroline's report on our test run here :-)
Last weekend though, I was further north, in Italy itself. Led by our intrepid Leader Andrew Smith, seven of us represented Malta at the Fabriano Watercolour Convention. Fabriano is the home of the famous watercolour paper loved the world over. The mills have now moved out of the town, but we toured the old paper mill and museum. Some of us even had a go at making hand-made paper!

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All the artist's names displayed together.....
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looking for ours......
The picturesque Medieval town welcomed artists from all over the world; 50 countries, 38 artistic communities and 730 artists to be exact. There were people painting everywhere we looked, and every public space had been filled with our works. We all contributed one painting and it was fascinating to see the collections from countries as diverse as Iraq , USA, Japan, India and more.
Picture.. and I am above Alvaro Castagnet (Watercolour God) ha ha
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We stayed in a nearby hilltop village called Collamato which means 'love of the hills'. ​
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Collamato
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The Andrews Smith and Borg, Anna Galea, Sarah Calleja, Diane Agius, Joe Casapinta and I did our best to show Malta at its best. Anna gave a demo in front of hundreds of people (I wasn’t brave enough!) we danced to a brilliant ethnic band at the final party, painted in the streets with the rest of them, ate as much pasta and drank as much wine as we could. Malta should be proud of us. This was all self financed, I have to say. We deserve to be supported next time.
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On the way back to the airport we stopped off at Gubbio and Assisi – both beautiful and full of delights.
The seven of us are plotting more adventures together including an exhibition of the works we created, so watch this space!

I wonder where I will be going next?
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Meanwhile, my Tuesday morning classes are moving from Le Meridien in Balluta Bay to Palazzo de Piro in Mdina from the 3rd May. I am looking forward to helping students tackle those great open views from the upper terraces!
My classes still continue at Villa Bologna on Friday mornings. This Wednesday 4th May we will be opening our first Spring Exhibition of works there. My students and I are hanging two works each. It will be open to the public from 5th May to 2nd June, so do drop in if you are in the area. ​​
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Drawing on our differences

18/4/2016

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"Rock Nude 2" available as a print
We have been using Art to communicate for 34,000 years. At least, that’s as far back as we can actually date humans drawing and painting on rocks and the walls of caves.
We don’t know what happened before then of course; less permanent methods of mark making are lost to us forever. We also have no idea what those beautiful cave paintings signify – were they magical means of capturing reality, plans for the hunt, shamanic rites of passage or simply means of expressing life as they saw it?
I like the theory that, as the cave paintings are carefully placed to become part of the uneven surfaces they adorn, they represent the shaman’s ability to travel between the worlds. That what we see is superficial to the hidden world where everything is one profound and plentiful soup of living energy.
​The shaman contacts the spirit of animal or plant to commune with all of life.
Besides imagery we self-express through music, dance and the written word. The wonder of a sunset, the sorrow of loss, the joy and hope of a new birth, life often touches us deeply and we are moved to find ways to share it with others. We smile, hug, cry, give gifts. We celebrate and commiserate. It’s what makes us human.
Art can tap into this deep emotional urge to communicate abstract emotions that are beyond words. This can vary from the literal translation of a scene to the darkest of obscure abstractions. Ultimately we are speaking to ourselves, making our feelings visible. How well we manage to do that depends on our level of expertise, and can be very frustrating if your drawing is like a seven year old’s, or your painting of a sunset turns to shades of brown.

It would be lovely (if a little boring after a while) to produce professional standard artworks every time, but ask yourself WHY you are painting/drawing?
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Is it to please someone else or yourself?
Assuming that you’re not aiming to sell or exhibit these ‘feeling’ paintings, does it really matter if they’re not perfect?

Personally, I think It’s worth practicing your skills and honing your techniques so that your paintings satisfy you more and more on an aesthetic level. They will also gain praise from others as a consequence, but always try to hold onto your personal motivation. Why did you choose this view and not another? What did this particular colour combination stir in you? Why did you use this technique or method? Keep it real and individual, keep connected to your art and it will communicate on many more levels than its outward appearance.
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"Axis Mundi" mixed media on canvas
​There are plenty of painters out there who can reproduce reality and churn out commercially popular works, but many of them communicate absolutely nothing other than ‘here’s another one, buy me!’

We are all individuals; we all have different approaches to life.

Let’s enjoy being ourselves! 
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"Mnajdra Temple" watercolour and crayon
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"Pray Tell" watercolour and pastel
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Painting "Quintessence" by Renzo Spiteri

27/3/2016

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Quintessence 1 - acrylics on canvas 70 x 50 cms - 250 euro
Every time I set myself up to paint a live performance I am hit by last minute nerves. I cover the floor in plastic sheeting, lay out my paints and brushes, clip the battery lights to my easel, and then, as I wait for the night to begin, I want to run away. I never know if I'll be able to do anything, let alone do it well. And it's all so darned public. 

After the first effort, which often misfires, I usually forget to worry and just get on with it. I have to work quickly to get the basic shapes and movement, but the time seems to pass really slowly. I find myself watching things appear on the paper or canvas. I am drawing with paint. I try to capture the essence of whatever catches my attention and work on it until something else comes up, which is when I start another. The faster I work the less I think and censor what is happening. In some ways it's much easier than working slowly with a static scene, when there's too much time to second-guess and 'fix' the picture. 

I am often asked how long paintings take, as if the length of time is a reflection on its value or quality. I can only say that each one takes me all my life. I have studied nude models in life classes, sketching people and making studies for years to be able to do what I do. Not many artists would even attempt this way of working. I often ask myself why I find it so fascinating!

After the event I just want to pack up and go home and let the paintings dry. I haven't really seen the pictures as I paint them; there is no time to focus on them individually. Next morning they always surprise me. Colours are distorted by the artificial lights, and also by my limited palette. 

I just sit and look at them for a while, until I see what they need. I sort them into three piles; one to throw away, one to work on a little and one that needs a lot of adjusting. Some get overworked or just messed up while I'm working on them. Some just sing right from the start.

All I know is that I like to work with figures in motion, usually dancers and jazz musicians. The paintings seem to come from a deep and connected place that I cannot access in any other way.

To see the rest of the collection 'Quintessence by Renzo Spiteri" please click HERE

Please leave your comments below - I'd really like to hear what you think of these paintings.
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Hello 2016!

1/1/2016

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To all my friends, 'followers', and students past , present and to come, I hope that you have had a wonderful, magical Christmas and New Year celebrations. May 2016 bring a cornucopia of joy, wonder, beauty, good fortune and all other wondrous things spilling into your life!
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​I have to apologise to anyone who sent me a Christmas card this year - I didn't send any out at all.

I did this painting of camels from some sketches I made in Libya when I was there in 2010.
I was running classes in the lovely grounds of a friend's villa - and she just happened to have three camels living at the end of her garden! Happy days. I do hope that peace breaks out in Libya soon. And in the rest of the world for that matter. 


Anyway, I did the camel painting for Christmas but it didn't quite get to the printers - so I saved a few trees, at least. 
​If I start now I might have some for sale next year........

You may have noticed that I fell off the weekly blog ladder in the last few months of 2015. Sending it out so often was probably too ambitious - I'm going to try and write a monthly one this year, plus a newsletter-y thing about classes and whatever else I've been up to art wise.
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"High Tide" mixed media on board. 60 x 60 cms
I am looking forward to starting a new series of Creativity Classes to stimulate and inspire old and new students. The first one will be January 30th at 10am in my Manikata studio and after that on the last Saturday of every month. We will explore different methods and materials, techniques and tools as a path to finding unique and personal work. Everyone can gain from 'playing' like this; it's a great way to push the boundaries of your knowledge and discover new ways of working that will enhance your skills. We'll cover things like textural surfaces using tissue paper and collage, using 'found' objects, creating happy accidents and generally having a lot of fun. 

Meanwhile, my weekly classes will begin again next week.
Tuesday 12th at Le Meridien 10am - 12.30pm
Thursday 14th at Ta Mena in Gozo 10.30am - 1pm
Friday 15th at Villa Bologna in Attard 10am - 12.30pm 

Basic classes for beginners, improvers and wish-I-could-get-going-again-ers will start in February.
All classes are 20 euro, or 100 euro for 6 classes paid in advance. 
Please Click Here! to contact me for bookings or more info. (PS I don't teach children.)
 
Here's to the most creative and fulfilled year of our lives! 

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    ​I love to paint - and draw - and help others to discover their creative side too.....

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