Jeni Caruana
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Let's Go Greek!

16/2/2019

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The painting adventure on Milos will take our senses by storm on the 7th - 14th May 2019
The coves, caves and colours are unique - I can't wait!!
Milos is the island where the famous Venus de Milo was discovered; this article will whet your appetite and your imagination!
https://www.cntraveller.com/gallery/milos-greece

Our hosts will be the team from Salinara Sicily, well experienced in running painting holidays in Sicily and Greece. They will organise our accommodation, breakfasts and dinners. Anyone who has been to their Salinara retreats knows the love and care they lavish on their food! We will make our own choices for lunch from the wealth of cafes and restaurants on location.
They will also provide transport to and from Milos airport and to our daily outings and be on hand for any requirements we may have. 
We leave - sadly, I'm sure - in the morning of the 14th and fly back to Athens. 

Flights are not included in the painting holiday price (see the brochure below)
Overnight stays in Athens are also not included.

From Malta, we will fly to Athens on Aegean Airways on the 5th May, stay for two nights in local BnB's.
Here are some recommendations I have gathered....
 The Art Gallery Hotel*   Hotel Phidias**  ApolloHotel***
For more choices, go to www.booking.com or www.tripadvisor.com and type in "Athens" - you'll find a whole range of hotels. 

In Athens itself we can meet up on Sunday 6th for some sightseeing and sketching 
On the morning of the 7th we fly down to Milos from Athens. There are two airlines for this, both with similar times and prices

Sky Express and Olympic Air

Returning to Athens in the morning of the 14th, we will have another day and night in Athens before flying back to Malta on the 15th.

​Another option would be to extend your holiday to two weeks and fly with RyanAir, who only fly to Athens on Saturdays. 
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Every day of the glorious week in Milos we will explore this fabulous gem in the Aegean Sea, painting in the mornings and relaxing, sightseeing or sketching in the afternoons.


As any of my students will testify, my classes are relaxed and fun but packed with information and practical advice geared to the scene and the students' abilities. I like to 'play it by ear' rather than impose a set itinerary. I want to help everyone feel that they have learnt some practical skills and captured the scene in their own way. I also like to encourage new ways of working, using found objects and unusual ways of making marks. 
On this holiday I intend to emphasise composition and interesting ways of seeing reality differently. We are artists, after all!!
All levels of expertise are very welcome 
I will be sending a list of recommended materials when you book, but your personal favourites are always good to work with. 


The price of the painting holiday does NOT include your flights Athens - Milos, or overnight accommodation in Athens 5th,6th and 14th May
For more details of the painting holiday please see the brochure below
Do contact me about the painting aspects..... 
Bookings for the Milos holiday through Salinara Sicily 

Brochure link -

jeni-greece_flyer.pdf
File Size: 269 kb
File Type: pdf
Download File

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Painting La Grotta Mangiapani in Trapani, Sicily

20/6/2017

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In May I organised two painting trips to Trapani in Sicily for my students.  We really did a lot of work between us, and had a good time exploring some interesting sites .....  as well as feasting on fresh fish and local wines!
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One intriguing place we visited was ‘La Grotta Mangiapani’ described as ‘a village where time stands still’. 

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​This huge cave is in Scurati, part of the Mount Cofano Reserve in Custonati, about 30 minutes from Trapani by car.


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The cave has been inhabited since Palaeolithic times and in the 1800’s was turned into a small village by the Mangiapani family. Four family units lived there for 150 years until after the Second World War, when most of the inhabitants emigrated.

​The Di Rosario family continued to live there, using  it as a large stable and store. 

In 1982, destroyed by the animals and quite derelict,a group of young people from Custonaci decided to restore the place and hold an annual Live Crib in the cave. It took years to restore the abandoned buildings and surrounding areas. They sourced examples of traditional tools and wares, and it is now a kind of living museum, with animals in the pens and the rooms displaying various crafts such as the making of barrels, clothes, puppets, carts, and  food. 
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​​The photos above were all (brilliantly) taken by Melanie Geraghty

It was all very well done and we had a great time exploring before we settled down to paint.

It’s a challenge to draw such a massive cliff and keep the sense of scale and perspective –
​I’m not sure how well I managed but it was fun trying.
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​My visit with the second group was on a Sunday and we were overrun by about 50 motorbikers obviously on a Tour, and we were all entertained by a group of traditional singers in local costume.....  they did kind of disrupt our painting, but they offered to share their wine with us, so we forgave them !!
PictureI couldn't resist these two horses swishing off the flies from each others' faces

I couldn't help thinking that Malta has so many locations that could take this idea and restore interesting but currently derelict areas.
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​Close to where I live, the old village of Manikata "Razzett tal-Qasam" has been very well restored and preserved by the local farmers (see 
Koperattiva Rurali Manikata ) but there are many once-inhabited caves in the area that could be used in a similar way to the Sicilian one - even a Living Crib! Just an idea....

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Fabriano, Sicily and where next?

1/5/2016

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I don’t quite remember which star I wished on, but all of a sudden I seem to be travelling all over the place, mainly to Italy and mainly art-related.
Much as I love Malta, it’s lovely to feast my eyes on rolling green vistas and new sights and sounds.

​At the beginning of April I was in Sicily with fellow artist Caroline Said Lawrence on a scouting trip for the art holiday we will be leading 27th - 29th May. We were whizzed about timing distances and looking at the locations (checking out the local cafes, ice creams, restaurants etc) (plus extensive wine sampling) honestly, it was hard work! We simplified the programme and are very excited about it all! It’s not too late to book – more details here.
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See Caroline's report on our test run here :-)
Last weekend though, I was further north, in Italy itself. Led by our intrepid Leader Andrew Smith, seven of us represented Malta at the Fabriano Watercolour Convention. Fabriano is the home of the famous watercolour paper loved the world over. The mills have now moved out of the town, but we toured the old paper mill and museum. Some of us even had a go at making hand-made paper!

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All the artist's names displayed together.....
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looking for ours......
The picturesque Medieval town welcomed artists from all over the world; 50 countries, 38 artistic communities and 730 artists to be exact. There were people painting everywhere we looked, and every public space had been filled with our works. We all contributed one painting and it was fascinating to see the collections from countries as diverse as Iraq , USA, Japan, India and more.
Picture.. and I am above Alvaro Castagnet (Watercolour God) ha ha
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We stayed in a nearby hilltop village called Collamato which means 'love of the hills'. ​
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Collamato
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The Andrews Smith and Borg, Anna Galea, Sarah Calleja, Diane Agius, Joe Casapinta and I did our best to show Malta at its best. Anna gave a demo in front of hundreds of people (I wasn’t brave enough!) we danced to a brilliant ethnic band at the final party, painted in the streets with the rest of them, ate as much pasta and drank as much wine as we could. Malta should be proud of us. This was all self financed, I have to say. We deserve to be supported next time.
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On the way back to the airport we stopped off at Gubbio and Assisi – both beautiful and full of delights.
The seven of us are plotting more adventures together including an exhibition of the works we created, so watch this space!

I wonder where I will be going next?
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Meanwhile, my Tuesday morning classes are moving from Le Meridien in Balluta Bay to Palazzo de Piro in Mdina from the 3rd May. I am looking forward to helping students tackle those great open views from the upper terraces!
My classes still continue at Villa Bologna on Friday mornings. This Wednesday 4th May we will be opening our first Spring Exhibition of works there. My students and I are hanging two works each. It will be open to the public from 5th May to 2nd June, so do drop in if you are in the area. ​​
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Drawing on our differences

18/4/2016

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"Rock Nude 2" available as a print
We have been using Art to communicate for 34,000 years. At least, that’s as far back as we can actually date humans drawing and painting on rocks and the walls of caves.
We don’t know what happened before then of course; less permanent methods of mark making are lost to us forever. We also have no idea what those beautiful cave paintings signify – were they magical means of capturing reality, plans for the hunt, shamanic rites of passage or simply means of expressing life as they saw it?
I like the theory that, as the cave paintings are carefully placed to become part of the uneven surfaces they adorn, they represent the shaman’s ability to travel between the worlds. That what we see is superficial to the hidden world where everything is one profound and plentiful soup of living energy.
​The shaman contacts the spirit of animal or plant to commune with all of life.
Besides imagery we self-express through music, dance and the written word. The wonder of a sunset, the sorrow of loss, the joy and hope of a new birth, life often touches us deeply and we are moved to find ways to share it with others. We smile, hug, cry, give gifts. We celebrate and commiserate. It’s what makes us human.
Art can tap into this deep emotional urge to communicate abstract emotions that are beyond words. This can vary from the literal translation of a scene to the darkest of obscure abstractions. Ultimately we are speaking to ourselves, making our feelings visible. How well we manage to do that depends on our level of expertise, and can be very frustrating if your drawing is like a seven year old’s, or your painting of a sunset turns to shades of brown.

It would be lovely (if a little boring after a while) to produce professional standard artworks every time, but ask yourself WHY you are painting/drawing?
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Is it to please someone else or yourself?
Assuming that you’re not aiming to sell or exhibit these ‘feeling’ paintings, does it really matter if they’re not perfect?

Personally, I think It’s worth practicing your skills and honing your techniques so that your paintings satisfy you more and more on an aesthetic level. They will also gain praise from others as a consequence, but always try to hold onto your personal motivation. Why did you choose this view and not another? What did this particular colour combination stir in you? Why did you use this technique or method? Keep it real and individual, keep connected to your art and it will communicate on many more levels than its outward appearance.
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"Axis Mundi" mixed media on canvas
​There are plenty of painters out there who can reproduce reality and churn out commercially popular works, but many of them communicate absolutely nothing other than ‘here’s another one, buy me!’

We are all individuals; we all have different approaches to life.

Let’s enjoy being ourselves! 
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"Mnajdra Temple" watercolour and crayon
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"Pray Tell" watercolour and pastel
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Drawing on your own

14/1/2015

8 Comments

 
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There’s only one you, only one me. You can’t really copy me, and I can’t copy you either, but together we can move forward by inspiring and supporting each other. We can’t really be in competition with each other if we are both following our hearts. That goes against most business models of course, but creativity can’t be contained or restricted, otherwise it withers and dies. 



Copied ideas don’t have the original inspiration or fire behind them, and although art forgers can make big bucks, most people make art because it gives them pleasure and a sense of personal achievement. Essentially we are all unique even if we ‘borrow’ every now and then. When you translate someone else’s idea through your own talents and processes, it becomes your own. That’s different to copying. 

You could never draw naturally in the same way that I do, simply because you haven’t spent the same amount of hours studying the same things that I have, how could you? You aren’t attracted to the same subjects I am, or play with the variety of unpredictable materials that I do, just for the fun of it. We are different, and so our art will differ in the same way that our fingerprints and our signatures do. 
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Epinac, 2013
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For this reason I am happy to share everything I have ever learnt or discovered. All the years that I have spent teaching and encouraging others to discover the joys of drawing have probably helped me as much as my students. Trying to describe the process of drawing in words has clarified and distilled it for me. It has also shown me the simplest ways to teach drawing to anyone who wants to learn. 
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Seascape
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Drawing, Painting, Getting together....

23/9/2014

2 Comments

 
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Come and join our friendly group on Friday mornings, drawing, sketching and painting in the fabulous grounds of 
Villa Bologna in Attard. 
I set up the theme for the morning and then help everyone work in their own way. Just bring yourself and your materials and get away from it all for a morning!
Classes run from 10am til 12.30pm. I supply chairs, boards, water pots, tea, coffee and biscuits. 
The Veg Box selling genuine organic produce will be open too, plus a new chic little cafe in the grounds.
23 euro for a one-off session, 20 euros if you book for more than one. 
Please contact me to book
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Saturday Morning Art Club starts this weekend too - on the 
27th September at 10 am til 12.30 pm. We will continue to concentrate on good drawing skills, but also work with colour this autumn. I like to mix media and explore new ways of making pictures, so expect some fun!
Classes are held in my studio in ManikataSingle classes are 20 euro or 5 classes (to be taken before December 13th) 85 euro
Again, please contact me to book

I also have a lot of exciting projects in the pipeline - one will be in Sliema and open to children 14 -16, helping them to draw figures in motion. The last class will be at the rehearsals of a Flamenco performance and their pictures will be exhibited in the foyer of the theatre afterwards. More details soon!

I would like to run this course for adults later but I need to find a suitable venue first.
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I am planning art classes at a venue in Sliema too, which many people have asked me about. It seems that Manikata is 'too far' for some :-)   So I will come to you......
Again, more details coming soon, but please let me know if you are interested, and whether evening or daytime classes are what you are looking for. I will start by running my popular course of basic drawing and watercolour techniques, which helps everyone to start seeing differently and to begin or continue their Art adventure with added confidence and joy. I will add other courses later.

I find that it is always beneficial to work in a group as well as practice on your own. It's always good to see how other people tackle the same or similar subjects. Creativity grows and expands by sharing ideas and inspiration. Always working alone can be stifling and our work may become dull and repetetive.The more candles we light from our own flame the brighter the whole world becomes!

I am really looking forward to cooler weather and to meeting you at my autumn classes.
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    Jeni Caruana

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    ​I love to paint - and draw - and help others to discover their creative side too.....

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  • Portfolio
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