A word of caution though; cameras only have one ‘eye’ and can madly distort images, especially when zoom lenses are used. We find it hard to believe that photographs can lie to us so badly, and we don’t even notice the crazy distortions on many photos of moving people. Yet people faithfully copy, even trace, photos of dancers or sportspeople and can’t work out why the figures look so odd.
It seems like a simple solution, but it can be a very deceptive one. The single lens of the camera squashes perspective onto one plane, especially if the figure is moving. This distorts and flattens everything, so that a closer object becomes smaller and a more distant one becomes bigger. As an example look at this photo..
You may have a problem seeing what is wrong with this at first; we are programmed to believe that photographs are ‘real’ images and cannot lie. Do you see how small the hand is? Flatten your own palm and hold it up to your face with the heel of it against your chin. Your fingertips will come right up to your hairline. That is how big a hand is!
Now look at this
These cricketers look believable until you realise that the man in the front is the same size as the man at the other end of the central strip (that’s the bit they run up and down). See my blog ‘Drawing on Good Measure’ (Archives, 6th March) on how to measure things - and look like an artist. Just half a metre of distance between two objects makes an enormous difference. These two men, metres apart, can’t possibly appear to be the same size, but the camera lens has done just that.
Someone who has worked from live models and studied three dimensional forms will be able to use a photo in a very different way to someone who has not. A photo of a hand, for example, will bring to mind all the hands an artist has studied in nature. The artwork will reflect that experience and embody much more than the two dimensional image. An inexperienced person will only be able to copy the surface of the two dimensional picture and the result is invariably unconvincing and insubstantial, even if it has superficial polish.
I do use photographs sometimes. I take photos when there isn't time to paint, and occasionally I capture something that looks like an interesting starting point. For example.....
On Friday 19th September mornings I will be returning to the lovely gardens of Villa Bologna to resume the outdoor classes there.
From 20th September the Saturday Morning Drawing Club will get underway again in my studio in Manikata.
For more details please click HERE and contact me if you need any more information at all.
I will also be teaching an exciting six week course for teenagers 12 - 14 beginning in October in Sliema. I'll be showing them how to draw from real people, helping them to sketch quickly and for the last class we'll be working at the rehearsals of a Flamenco performance.
Looking forward to seeing you soon!!